All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission. Alice (Natalia Dyer) ...
After four months in lockdown, we could all probably use a good, satiric sex comedy. The premise of “Yes, God, Yes,” sounds like it might fill the bill: a teenage girl discovers the joys of ...
Tom Reimann is a writer and comedian and somehow Senior Editor of Features at Collider. He has written for Cracked.com, Mad Magazine, BunnyEars.com, and Some More News, and is the co-founder of the ...
Jeff Sneider is the Senior Film Reporter at Collider, where he breaks film and television news and curates the Up-and-Comer of the Month column in addition to hosting The Sneider Cut podcast and the ...
Over the past few decades, most coming-of-age films have explored sexuality from the male point of view, but Natalia Dyer’s latest coming-of-age film, Yes, God, Yes, provides an all-too-rare look at ...
Rated R. At the Coolidge Corner Virtual Cinema. A coming-of-age comedy about religion, young women and sex, “Yes, God, Yes” doesn’t get as much mileage out of its subjects as it should, although that ...
Yes God Yes Starring Stranger Things’ Natalia Dyer & Spiral Featuring American Horror Story’s Jeffrey Bowyer-Chapman To Stream On Amazon Prime Video (Photo Credit: IMDb) PictureWorks has acquired the ...
You don’t have to be Catholic, lapsed or otherwise, to be amused by “Yes, God, Yes,” writer-director Karen Maine’s semi-autobiographical account of a Catholic high school girl’s coming-of-age ...
Natalia Dyer doesn't remember the first time she discovered female masturbation. "I remember it being, in my mind, far too late,” the Stranger Things star tells Bustle. “[I was] ‘Like, ‘Why has nobody ...
A naïve Catholic teenager explores her sexuality in this gentle indie comedy. By Jeannette Catsoulis When you purchase a ticket for an independently reviewed film through our site, we earn an ...
Much is made of the texture of movie images, the power of film stock to reflect, in grain and nuances of light and shadow, the medium’s essential physicality. But a much more important form of movie ...
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