Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...
Amy Seimetz and Shane Carruth hide from -- something -- in 'Upstream Color.' It's a movie that's been called both "utterly perplexing" and "transcendent." "Head-scratching" and "beautiful." ...
In 2004, Shane Carruth wowed Sundance Film Festival audiences with his heady time travel flick Primer, which he made with no prior filmmaking experience and shot (on film!) for a budget of around ...
Premiering at the Sundance Film Festival a few months ago, Primer writer-director Shane Carruth delivered another divisive work of science-fiction with the mesmerizing Upstream Color. Having recently ...
Let your mind wander... After premiering at the Sundance Film Festival in January, the second film from Primer director Shane Carruth, an abstract drug drama titled Upstream Color, will be hitting ...
Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...
Shane Carruth‘s 2004 time travel drama “Primer” provoked endless scrutiny for its heavy reliance on tech speak that the director refused to dumb down. His long-awaited followup, “Upstream Color,” also ...
Bear with me on this quick story, which I think will make sense in the context of the Walker’s showing of “Upstream Color.” In college, I took a class on the American Renaissance writers, including ...
Indie drama about an odd love story (1:36). Not rated: Sensuality, violence. IFC. There is an undeniable pull to the stream-of-consciousness storytelling filmmaker Shane Carruth (“Primer”) uses in ...
We aren't going to pretend we can pin down the meaning of every last thing that happens in writer-director-star Shane Carruth's breathtaking new movie, Upstream Color. Anybody who claims otherwise is ...
Forgiving critics and moviegoers often call films without articulate points or well-defined characters “poems.” This usually affixes to work by Terrence Malick and will surely be a tag for the ...
Matt Goldberg has been an editor with Collider since 2007. As the site's Chief Film Critic, he has authored hundreds of reviews and covered major film festivals including the Toronto International ...
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